Doubt, the word on which John Patrick Shanley weaves a morality tale about a Bronx catholic school in the 60’s becomes the central conceit of the play and movie. I remember the play being very simply done, with a very sparse set and short scenes and monologues. It moved (and was quite moving) gaining momentum with each scene and ending with a near perfect last line that caused me to rethink a lot of what came before. Like a lot of stage to film adaptations, the movie has more of a wider canvas to play with and this one, in a cinematic sense, works better than most in that the details of time and place very much add to the texture of the narrative while at the same time maintaining an intimate feel.
The slim plot centers on the very strict Principal of a Catholic school (Meryl Steep) who is confronted with the possibility of the Father of the parish (Phillip Seymour Hoffman) conducting “improper” behavior with the first and only black student. The story however cleverly becomes less a did-he or didn’t he mystery than an examination of what lengths one goes to protect their personal and religious faith. What does belief mean for different people and at what length are they willing to defend something that they feel but can’t prove?
The camera picks up the nuance of performance that the play cannot. I think the ability to see a close-up of an actor’s face can really determine the meaning of a piece. Phillip Seymour Hoffman, by his simple expression (or lack thereof) or line reading can create a whole new meaning to the same words said by another actor. I felt much differently about his character in the play than the film which is a testament to the very subtle writing. Shanley really trusts the audience to put meaning in it.
I heard from a few people going into this about the miscasting of Meryl Streep in the role but damn you Meryl, there you go again! -creating, as usual, a very specific character performed so organically. From her accent to her shifty eyes to the way she delivered the powerful last lines, I couldn’t keep my eyes off of her. Phillip Seymour Hoffman, one of the greatest naturalistic actors ever, yet again shines through creating a fully humane individual who is accused of some horrific things. He has an amazing emotional range and has the ability to always have his personality come through whatever role he does, however different. Kudos must be also given to Amy Adams and the incredible Viola Davis who breaks your heart in probably the most tragic scene in the movie.
If you’re in the mood for a subtle chamber piece of top-notch acting and writing, don’t miss it.
I really look forward to seeing Doubt. I thought the play was fantastic; Cherry Jones gave an incredible performance. I’m glad you think that Shanley’s writing for the film maintains the same subtlety as for the stage and that meaning is left to the audience. For the film to have the same impact as the play, it’s very important that the ultimate decision as to the truth remain with the viewers.